• Contact
  • Contribute
  • Links
  • Home
  • Archives

  • exploration of the universe with Dugan O’neal

    Dugan O’neal is a Los Angeles based filmmaker who’s creative ambition had me captured from the very beginning. He brings wonderment before your eyes creating videos for the likes of Eskmo and Ellie Goulding, drawing upon that sense of universal power. Beyond the surreal fantasy he creates, we see comedy and life in his other productions too. 

    Working with your team you create such stunning visual imagery, where do you draw your ideas from?
    A lot of inspiration comes from nature, indigenous cultures, dreams, music, and a fascination with the stars and the universe. Once the story is there, we then talk about what the story means, and the look and aesthetics are born out of that. We study a lot of different types of art and photos for inspiration. For me, I love surrealism, I try to incorporate a surreal feeling that is still grounded in reality in everything that I do. A lot of the visual imagery is born out of the way one image can make us feel.

    Eskmo’s Cloudlight is really a beautiful piece of video that captures the feeling behind his music so well and it’s here you can really get a grasp for the visual effects that are common place in your videos. Talk to me a bit about this.
    I feel the Eskmo video was the first time that a song presented an opportunity for me to tap into a certain place in my heart and my visions. It gave me a chance to explore some things I had been wanting to express. It was the same for Bemo as well. This video was an amazing and magical experience for all of us and it really opened up a lot. It was the first time Bemo, Myrick and I got to do something like that together. The experience and process changed things for us, it was really special. Eskmo, TV on the Radio and the Ellie Goulding videos are all similar in this way.

    Do you believe in a higher power or a great external force that dictates our lives?
    I don’t subscribe to any specific organized religion, but I consider myself a very spiritual person. I can only base my beliefs on direct experience, and I have had some experiences that definitely tell me there is a higher consciousness or spirit out there.
    There’s such a sense of foreboding in Black sands, take us through the idea behind this?
    Black Sands is about overcoming your own darkness and risking your life for love. The woman is lost, and the dark spheres in the sky represent her own darkness, one that almost kills her. She is saved and given one more chance.

    What are your dreams like?
    Most of the time pretty fantastical and weird. Sometimes really boring and normal.
    Do you have a thing for triangles?
    No, why would you say that? Just kidding, yes I love them. It’s fascinating to me that they show up in almost all ancient art and spiritual symbols. There are so many meanings to the triangle. The triangles I use are the alchemical symbols for Fire and Water, which to me represent balance in life.

    What is your favorite book or film?
    Ah, there are so many good ones,  I love any film by Wes Anderson, paul thomas anderson and Spike Jonze. I think ‘Eternal Sunshine of the Spotless Mind’ by Michel Gondry, is one of my favorite films though. I currently like books by Paulo Coelho.

    Besides making videos of visual wonder it seems you’re quite the comedian too…
    Why, thank you…it’s fun, laughter is the best medicine. I love making people laugh and laughing at myself.
    What was it like getting all dressed up in drag for your film ‘Love thy self’?
    It was pretty weird especially because by the time we did that scene the restaurant was completely packed and everyone was staring at me, for obvious reasons. They were either laughing uncontrollably or totally pissed that I was ruining their lunch.
    I was impressed you shaved your moustache off for that!
    I almost didn’t but then realized that I had to in order to sell the joke. It’s strange how weird it is not to have facial hair. I immediately grew my mustache back. I hope I never have to shave again.

    Who would you most like to make a music video for?
    Hands down, Future Islands. I love their music and I would love to work with Sam Herring, the front man. I’ve never seen a performer like that, who feels so much, so open and really gives himself to the audience when he is on stage. A pure channel of energy on stage with no filter. It’s inspiring to watch. It has always been a dream of mine to make video with Bjork. I also really want to make video with Drake.
    So the big 2012 is coming, some people like to speculate that it might be the end of the world, so it’s a better time than ever to live everyday like it’s your last. Can we expect big things from you in the year to come?
    Good point, I think everyday should be lived like it’s your last. The ultimate goal for me has always been to make feature films. I have a couple of longer form narrative projects that I have been working on that I am really excited about. Hopefully they will be in in theaters before the world ends.

    ESKMO “CLOUDLIGHT” from Dugan O’Neal on Vimeo.

    BLACK SANDS from Dugan O’Neal on Vimeo.

    LOVE THY SELF from Dugan O’Neal on Vimeo.

    See more of Dugan O’neal’s video work on his website!

    http://www.duganoneal.com/

    Clowning around with Ed Cox

    At so many points getting this done seemed to be against us. Ed hadn’t been in contact all day and wasn’t picking up the phone. I eventually got a message telling me he’d lost it, so everything was back on. I called the driver and had her pick us up. Halfway there the starter motor goes and we had to jump start the car whilst pushing it up a hill. 

    I hadn’t quite expected Ed Cox to live up to his gypsy clown reputation as much as he did. He took us through the site where all the caravans and trailers were to the one he was living in with DSC (Dog shit crew) spray-painted on the side. 

    To some, coming to a trailer park where gypsy clowns live would be a nightmare but to Ed Cox, whilst he’s staying in Bristol, this is home. 

    Ed Cox has been producing dance music for over 12 years and over that time the spirit of the clown has taken over and led to the production of the genre Clowncore. You need to experience it to understand what it is. When your at one of Ed Cox’s gigs thrashing around in front of a clown playing an accordion you realise that you’ve let go and let madness ensue. 

    What would you describe your job title as?
    I made a business card once and it said ‘Street entertainer, accordion rave clown’ or something.

    How did Clowncore start, how did you develop it?
    It was like an evolution really, I was making folky kind of rave sounding stuff, but not with the accordion first, that’s when the Clowncore started. It was just kind of weird happy folk rave. I started putting the accordion in about 5 years in. Once it was named clowncore our friend joked about it saying it’s hardcore clown music, Clowncore. Then after that I was making tunes with that in mind. So it was a bit of a side project but it’s taken over now really.
    What was the reception like the first time you played it in public?
    Really good reaction, yea. Everyone loved it. Anything longer than and hour though, kind of gets a bit much for people, they get a bit scared.

    What about when you’re busking?
    Positive mainly, I mean some people are like what the fuck are you doing? People are really good, all ages, everyone seems to like it. Well… not everyone, but I’ve had a good reaction.
    What the most unusual gig you’ve ever played?
    The weirdest gig was a seven year old girl’s birthday party.

    Was the seven year old loving it?
    Yea, she’s one of my biggest fans basically. She’s probably nine or ten now. She was probably like three or four when she first started listening to it.

    Where’s your favourite place to perform?
    I love playing in the street. I don’t know, it’s hard to say. There’s good squat parties and good club nights, and shit squat parties and shit club nights. It really depends.

    Do people expect you to play a certain kind of music?
    Yea, if I’m not playing the accordion people seem to be upset. It’s like I have to sort of play for them now. It’s all right though.

    Do loads of people go to your gigs dressed as clowns?
    Yea, depends where it is. Pretty much every other one there’s at least somebody.

    I’ve noticed there’s loads of clown stuff around your room too, seems like it’s made its way into your life…
    People sort of see things and give them to me. Scary clown things from my mum and dad. All those china ones were all found in a squat in an old nursing home. This old woman had an obsession with clowns and she left them all there so someone got them for me.

    My mate says you should call your fans Clown whores.
    Haha Clowncore clown whores.

    You seem to move round countries quite a lot, are you happiest when you’re on the move?
    I don’t actually like the moving bit, most of the time I’m only there for like a night. I was in Berlin for 7 hours last time I was there. It doesn’t seem like you’re there. But I love touring, that’s wicked fun.

    What would you do if you weren’t making music?
    I’m not sure. I’ve pretty much always made music. I used to work in factories when I wasn’t making money off music. Then I gave that up and started busking and since then I’ve not bothered going back to the factories.

    What’s you’re favourite memory from performing?
    I think the first time I did it on the street with the sound system there was like an old lady dancing and like a little girl, and there were loads of ravers I’d told to come down. Just a really nice mix of society.

    If you weren’t doing clowncore what would you want to do?
    Well I’ve got this midi accordion that can trigger electric sounds. I want to start making rave music but with an accordion but you can’t hear the accordion because it’s all electronic.  Interview: Andrea Barney
    Photography: Jak Flash
    Assistant: Andrea Barney
    Make-up Artist: Jak Flash
    Clothes Provided by: Puckoo Couture
    Transport: Hana Denham

    whenwewantwewantfromyou

    The queen supreme who keeps us eagerly in wait like begging dogs expectant of any attention has come back to us with her new remix of Moby’s After.

    From the beginning we were lured in with these videos of mystery, being kept at a distance of wonder. It wasn’t long before all fans of iamamiwhoami were taken on a journey through a world on the other side of mysticism.

    With ; john and clump recently released within the last 5 months the adventure has begun again, and we can all but wonder where we’ll be taken this time.

    Now iamamiwhoami have remixed Moby’s After, from the album Destroyed. The track can be downloaded from Beatport that presents a cleaner version of the song as the present youtube versions have a slight distortion over the vocals.

    Never have I felt this way about a musical artist before, but the moment I see even the slightest movement from iamamiwhoami I freeze up, like a child who fancies their teacher, an overpowering kind of forbidden seduction.